In the 2000s, several families in Sulaimani were recording videos and archiving their family memories in various ways. Peri, in her early teens, has just gotten married. Her mother passed away when she was very young, so she spent her entire life living with her aunt and cousin. Her aunt and cousin arranged her marriage to someone outside their family, which later caused significant problems in her and her husband's life. These issues eventually forced Peri to revisit the old family archives to find a way to resolve their troubles.
With just a mobile phone and a gun, Mahmud, Ziyad and their group risk their lives trying to save Yazidi women and girls being held by ISIS as Sabaya (abducted sex slaves) in the most dangerous camp in the Middle East, Al-Hol in Syria.
Zilan, a young woman, returns to her home town looking for traces of her dead brother, killed by ISIS. But her town is not what it used to be: social and political tensions have escalated into a state of war. The people have risen up to demand their political autonomy and the police and army repress them with brutal force. But the city’s resistance will go on for more than 100 days and Zilan will not remain a passive witness. Based on the diaries of those who died fighting and the testimony of survivors, who are the protagonists of the film, Çelik's first feature explores concepts such as hope, friendship, sacrifice and loss in the struggle for freedom of a group of young people.
Young mother Lori must say goodbye to her husband, who decides to join the war against ISIS. She finds herself in a fight in midst her own society. Thus, Lori searches to express her feelings in dance.
Rojin is a young Kurdish woman about to take the university entrance exam. Rojin's unhappily married older sister Shilan decides to help her pass at any cost, hoping to give her a more emancipated life. Thus, the sisters inevitably become entangled in a huge network of corruption that connects all parts of society.
An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied. American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds.
Two shoeshiner homeless brothers named Zana and Dana live on the edge of survival. They catch a glimpse of Superman through a hole in the wall at the local cinema and decide that they want to go to America in order to meet Superman.
Despite being outnumbered and outgunned, a female Kurdish fighter guides her fellow fighters in the resistance to defend their city, Kobanê, from the deadly threat of ISIS. A real story of war, sacrifice, love and hope that kept the whole world on tenterhooks.
Eight-year-old Evlin characterizes the resilience of Kobane's resistance against ISIS forces through her experience in a refugee camp on the Turkish-Syrian border.
During the war between Iran and Iraq, a group of Iranian Kurd musicians set off on an almost impossible mission. They will try to find Hanareh, a singer with a magic voice who crossed the border and may now be in danger in the Iraqi Kurdistan. As in his previous films, this Kurdish director is again focusing on the oppression of his people.
A teenager from northern Iraq, Mediha is a member of the Yazidi ethnic and religious minority. She’s also the survivor of an ISIS-orchestrated genocide in 2014. Through video diaries, Mediha provides an intimate account of her grief and trauma. The portrait that emerges leaves us in awe of the budding activist, who has already lived many lives and is nowhere near done.