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    John Walker

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    Passage 2008 POSTER

    Passage

    2008

    English

    6.4

    1

    Action

    Documentary

    Drama

    History

    John Walker John Walker Director Rick Roberts Rick Roberts as John Rae Geraldine Alexander Geraldine Alexander as Lady Jane Franklin Nigel Bennett Nigel Bennett as Sir James Graham Patrick Godfrey Patrick Godfrey as Sir John Barrow
    With a unique blend of dramatic action and behind-the-scenes documentary footage, filmmaker John Walker shares the multi-layered story of British explorer Sir John Franklin and his crew of 128 men, who perished in the Arctic ice during an ill-fated attempt to discover the Northwest Passage, and John Rae, the Scottish doctor who in 1851, discovered their dismal fate. Rae's dark report, which described the crew’s madness and cannibalism, did not sit well with Sir John's widow, Lady Franklin, nor with many others in British society, including Charles Dickens. They waged a bitter public campaign to discredit Rae's version of events and mark an entire nation of northern Inuit with the label of murderous cannibals. A stunning face-to-face meeting between the great-great grandson of Charles Dickens and Tagak Curley, an honoured Inuit statesman who challenges the fraudulent history, vaults the story from the past into the present and we are witness to history in the making.
    Assholes: A Theory 2019 POSTER

    Assholes: A Theory

    2019

    English

    6.4

    3

    100%

    50%

    antisocial behavior

    Documentary

    morality

    social commentary

    John Walker John Walker Director John Cleese John Cleese as Self Leslie Dixon Leslie Dixon as Self Peggy Fields Richardson Peggy Fields Richardson as Self Rob Delano Rob Delano as Self
    Some people grapple with the moral challenges of treating human beings decently. Others are just… assholes. Inspired by Aaron James’ New York Times bestseller of the same name, this documentary investigates the breeding grounds of contemporary ‘asshole culture’ — and locates signs of civility in an otherwise rude and nasty universe. Venturing into predominantly male domain, this film moves from Ivy League frat clubs to the bratty princedoms of Silicon Valley and the bear pits of international finance. Why do assholes thrive in certain environments? What explains their perverse appeal? And how do they keep getting elected?
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