I Do Not Care If We Go Down in History as Barbarians
"I do not care if we go down in history as barbarians." These words, spoken in the Council of Ministers of the summer of 1941, started the ethnic cleansing on the Eastern Front. The film attempts to comment on this statement.
Uppercase Print
In 1981, chalk slogans written in uppercase letters started appearing in public spaces in the Romanian city of Botoşani. They demanded freedom, alluded to the democratic developments taking place in Romania’s socialist sister countries or simply called for improvements in the food supply. Mugur Călinescu was behind them, who was still at school at the time and whose case is documented in the files of the Romanian secret police. Theatre director Gianina Cărbunariu created a documentary play based on this material.
Lampa cu caciula
A father and son go to town to try to fix a broken TV set.
The Exit of the Trains
A film composed entirely of archival photographs and documents related to the Iași Pogrom of June 1941. The first part of the film consists of photographs of the victims, accompanied by statements and testimonies about their fate. The second part, shorter, is a montage of photos of the pogrom itself.
It Can Pass Through the Wall
An old man tries to play backgammon with friends while babysitting his granddaughter, who's terrified of the young suicide in their building.
The Dead Nation
A documentary-essay which shows Costică Axinte's stunning collection of pictures depicting a Romanian small town in the thirties and forties. The narration, composed mostly from excerpts taken from the diary of a Jewish doctor from the same era, tells the rising of the antisemitism and eventually a harrowing depiction of the Romanian Holocaust.
Alexandra
Tavi, a forty-year-old divorced father, comes to his ex-wife's home to repair his four-year-old daughter's bike. He realizes with amazement that Alexandra does not call him "Daddy" any more. He asks an explanation from his ex-wife...
Shadow of a Cloud
In a torrid summer day in Bucharest, the priest Florin Florescu is called to a dying woman's side for saying a prayer.
Everybody in Our Family
Marius is a divorced man in his late thirties. His five year-old daughter Sofia lives with her mother, which causes Marius a deep frustration. On the day Marius arrives to take his daughter on their annual holiday, he is told that she is ill but he doesn't believe it and insists to take her with him. The situation soon gets out of control with all the family taking part in a web of humor, violence, childish songs, police interventions and love statements.
Aferim!
Set in early 19th century Wallachia, Romania, a policeman, Costandin, is hired by a nobleman to find a Gypsy slave who has run away from his estate after having an affair with his wife.
Bad Luck Banging or Loony Porn
Emi, a school teacher, finds her career and reputation under threat after a personal sex tape is leaked on the Internet. Forced to meet the parents demanding her dismissal, Emi refuses to surrender to their pressure.
Scarred Hearts
During the summer of 1937, Emanuel, a young man in his early twenties, is committed to a sanatorium on the Black Sea coast for treatment of his bone tuberculosis. The treatment consists of painful spine punctures that confine him to a plaster on a stretcher-bed. Little by little, as Emanuel gets accustomed to the sadness of his new life, he discovers that inside the sanatorium there is still a life to be lived to the fullest.
The Happiest Girl in the World
Delia, a young Romanian girl, comes to Bucharest with her parents to collect a prize she has won in a contest organized by a soft-drinks company. The prize is a beautiful new car. All Delia has to do now is appear in front of the camera in a commercial. All goes well until it becomes clear that Delia and her parents have very different ideas about what to do with the new car. Meanwhile, the contest's sponsor needs a radiant prize-winner with a gleaming smile. A wicked satire and a psychological portrait of a society perverted by its slavery to capitalism and consumerism
Do Not Expect Too Much from the End of the World
On behalf of a multinational company, a production assistant drives around the Romanian city of Bucharest, interviewing various citizens who have been injured due to work accidents to cast one of them in a “safety at work” video.
Kontinental '25
Orsolya is a bailiff in Cluj, the main city in Transylvania. One day she has to evict a homeless man from a cellar, an action with tragic consequences that triggers a moral crisis which Orsolya must weather as best she can.
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Radu Jude
Director
Constantin Draganescu
as
Batranul
Natalia Calin
as
Mama
Mimi Branescu
as
Cezar
Luminita Gheorghiu
as
Smaranda Cîndescu
Nina Hoss
as
Doris Goethe
Uwe Boll
as
Uwe Boll
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