• Directors

    Pedro Costa

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    Down to Earth 1994 POSTER

    Down to Earth

    1994

    Portuguese

    6.9

    9

    55%

    55%

    abstract

    Action

    cape verde

    Drama

    memory loss

    nurse

    Pedro Costa Pedro Costa Director Isabel de Castro Isabel de Castro as Actriz convidada João Medina João Medina as Dr. Medina Edith Scob Edith Scob as Edite Isaach De Bankolé Isaach De Bankolé as Leão
    The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.
    Vitalina Varela 2019 POSTER

    Vitalina Varela

    2019

    Portuguese

    6.7

    8

    95%

    57%

    Action

    Drama

    Pedro Costa Pedro Costa Director Benvinda Mendes Benvinda Mendes as Emídio Landim Monteiro Emídio Landim Monteiro as Imídio Monteiro Imídio Monteiro as Lisa Lopi Lisa Lopi as
    A Cape Verdean woman navigates her way through Lisbon, following the scanty physical traces her deceased husband left behind and discovering his secret, illicit life.
    In Vanda's Room 2000 POSTER

    In Vanda's Room

    2000

    Portuguese

    7.0

    7

    100%

    70%

    Drama

    heroin addict

    lisbon, portugal

    noise pollution

    sisters

    slum

    street vendor

    Pedro Costa Pedro Costa Director Paulo Jorge Gonçalves Paulo Jorge Gonçalves as Self Pedro Lanban Pedro Lanban as Self Fernando Paixão Fernando Paixão as Self Paulo Nunes Paulo Nunes as Self
    An unflinching, fragmentary look at a handful of self-destructive, marginalized people, but taking as main focus the heroin-addicted Vanda Duarte.
    Cinéma, de notre temps Où gît votre sourire enfoui? 2001 POSTER

    Cinéma, de notre temps Où gît votre sourire enfoui?

    2001

    French

    7.6

    5

    Action

    Documentary

    observer

    Pedro Costa Pedro Costa Director Jean-Marie Straub Jean-Marie Straub as Self Danièle Huillet Danièle Huillet as Self
    Undaunted by a commission to make a film about his mentors and aesthetic exemplars, the filmmaking team of Jean-Marie Straub and Danièle Huillet, Costa records with great sensitivity and insight the exacting process by which the two re-edit their film Sicilia!, discussing and arguing over each cut and its effect. Incorporating comments about the influence of figures as diverse as Chaplin and Eisenstein, about the ethical and aesthetic implications of film technique and such matters as rhythm, sound mixing, and acting. The film becomes a tour de force, immersing us in the mysteries of cinema as practiced by some of its greatest creators. Costa calls the film both his first comedy and his first love story.
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