Dogra Magra
A young man kills his bride on the day of his marriage and goes insane. He wakes up in an asylum with no memory, left in the hands of two mysterious doctors who relate his condition with his biological identity.
Atman
ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.
Demons
Tells the story of the samurai Gengobe, who seeks revenge after falling prey to the schemes of a geisha and her husband.
Funeral Parade of Roses
In 1960s Tokyo, Gonda owns a bar in which the gay, cross-dresser, and trans scenes meet. Gonda is in a relationship with the madam of the bar, Leda. As the younger Eddie starts a passionate affair with Gonda, she ignites the jealousy of Leda, unaware of another kind of history between them.
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Toshio Matsumoto
Director
Daisuke Iijima
as
Leo Morimoto
as
Yôji Matsuda
as
Kure Ichiro
Kyôko Enami
as
Yayako
Hatsuo Yamaya
as
Chôhachi
Hideo Kanze
as
Takubei
Takashi Ebata
as
Torazô
Kenji Kodama
as
Toshiya Fujita
as
(as Shigeya Fujita)
Masahiro Shinoda
as
Self
Yukio Ninagawa
as
Self
97%