Attila
A vengeful beauty foils the plans of the bloodthirsty Hun warrior to conquer Rome.
The Tales of Hoffmann
A melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer.
The Magic Flute
The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina, in this screen adaptation of the beloved Mozart opera. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.
Moses und Aron
A familiar Biblical tale transformed into a cinematic opera of seemingly endless possibility. In expressive, melodic tones, the fraternal pair debate God’s true message and intent for His creations, a conflict that leads their followers towards chaos and sin. Set almost entirely within a Roman amphitheater whose history lends every precise line-reading and gesture, every startling camera move and cut, a totalizing force.
The Royal Opera House: Madama Butterfly
Cio-Cio-San, the young Japanese bride of dashing American officer Lieutenant Pinkerton, finds her romantic idyll shattered when he deserts her shortly after their marriage. She lives in hope that one day he will return. Three years later, Cio-Cio-San and her little son see Pinkerton’s ship in the harbour. She excitedly expects his visit – but Pinkerton and his American wife Kate have come only to take the boy away, to raise him in America. Cio-Cio-San bids her son farewell and then takes her own life.
L'orfeo: Favola in musica by Claudio Monteverdi
Taped live in Barcelona's Gran Teatre del Liceu on January 31, 2002, this L'Orfeo is both a visual delight and a musically satisfying representation of Monteverdi's opera
In My Room
Made during confinement, "In My Room" plunges us into the poignant story of a woman at the twilight of her life, through recordings of the director's deceased grandmother. Living rooms become stages where life is performed. Windows become portals to the lives of others.
Sarah Plays a Werewolf
17-year old Sarah, filled with adolescent angst, is an extreme person who in her rehearsals with a theatre group is transformed until she is almost in a trance, and her performances at home or elsewhere verge on excess. A cold, intellectual father, a timid mother, a younger sister and an older brother who has left home complete the picture: a silent time bomb.
The Great Caruso
Enrico Caruso's only passion is to sing. For that, he leaves his hometown of Naples, Italy, and travels to America to sing for the Metropolitan Opera. At first, his lack of education and poor background make him an outcast in the high-class opera world. Eventually, his voice wins him both fans and the hand of his love, Dorothy. But his nonstop pace and desire to perform at any cost eventually take their toll on the singer's health.
Aria
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.
Carmen Jones
In this musical set in an all-Black army camp, civilian parachute maker and "hot bundle" Carmen Jones is desired by many of the men. Naturally, she wants Joe, who's engaged to sweet Cindy Lou and about to go into pilot training for the Korean War.
Götterdämmerung
Götterdämmerung, the final instalment of Wagner’s Ring of the Nibelung, is a story of human passions. Two essentially benevolent creatures, involved with and possibly doomed by their traffic with the gods, find treachery and evil in the world of the humans, and are ruined by the dark side of humanity. Iréne Theorin, acclaimed worldwide for her portrayal of Wagner’s heroines, stars as Brünnhilde opposite Lance Ryan, who continues his radiant portrayal of the tragic hero Siegfried. The strong cast also includes Mikhail Petrenko as the dark antagonist Hagen and Johannes Martin Kränzle, who once again shines as his father Alberich. Waltraud Meier has a memorable appearance as Brünnhilde’s sister Waltraute. With this 2013 recording of Götterdämmerung, the musically and visually compelling Scala Ring Cycle by Daniel Barenboim and Guy Cassiers was completed and proved to be one of the highlights of the Richard Wagner bicentenary.
La Traviata
Renée Fleming has matured into one of the finest sopranos around at the moment, a true star with a sparkling personality and a velvet-toned voice that is capable of wringing the finest emotions out of works by Strauss and Tchaikovsky that from a lesser singer could sound rather cold and clinical. I wouldn't have thought her voice would be so well suited to Violetta Valéry in La Traviata, and it does take some getting used to, but I think she at least brings a distinct quality to the role with an emotional heart that isn't always necessarily there when a leading diva uses it primarily as a display for her vocal talents. It's served well also by Antonio Pappano's conducting of the Royal Opera House Orchestra in a traditional, but effective production by Richard Eyre.
Serenade
A wealthy woman discovers a vineyard worker with a beautiful operatic singing voice. She helps make him a star but then breaks his heart. He flees in misery to Mexico where he meets a sweet farm girl.
Falling for Figaro
A brilliant young fund manager leaves her unfulfilling job and long-term boyfriend to chase her lifelong dream of becoming an opera singer in the Scottish Highlands.
Tosca's Kiss
Memoirs of the Italian Opera by the singers and musicians of the Casa Verdi, Milan, the world’s first nursing home for retired opera singers, founded by composer Giuseppe Verdi in 1896. This documentary, which has achieved cult-like status among opera and music lovers, features former singers who reminisce about their careers and their past operatic roles.
André Rieu: Christmas in London
Christmas is now more beautiful and cosy than ever! Experience Christmas in London, together with André Rieu. Decorated Christmas trees everywhere you look, beautifully lit streets, tempting Christmas window displays... Combine the unique London Christmas atmosphere with a magnificent Christmas concert by André Rieu, and you have all the ingredients for a lovely party in the dark December days. Together with fantastic soloists and his always joyful Johann Strauss orchestra, André Rieu provides a fabulous evening with the most beautiful and moving Christmas carols, but also with emotional songs such as Leonard Cohen's Hallelujah, The Holy City and the classic Concierto de Aranjuez. Christmas in London means an evening enjoying lovely music, beautiful costumes and plenty of London cosiness.
The Oratorio
In “The Oratorio,” filmmaker Martin Scorsese helps tell the story of an 1826 performance that forever changed America’s cultural landscape with the introduction of Italian opera to New York City.
The Climax
Dr. Hohner, theatre physician at the Vienna Royal Theatre, murders his mistress, the star soprano when his jealousy drives him to the point of mad obsession. Ten years later, another young singer reminds Hohner of the late diva and his old mania kicks in. Hohner wants to prevent her from singing for anyone but him, even if it means silencing her forever.
Boris Godounov
A possible impostor torments a newly crowned medieval czar who may have ordered the real successor's death.
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Dick Lowry
Director
Gerard Butler
as
Attila the Hun
Isla Fisher
as
Cerca
Alice Krige
as
Placida
Tim Curry
as
Theodosius
Michael Powell
Director
Ingmar Bergman
Director
János Herskó
as
Man in Audience
Ragnar Ulfung
as
Monostatos
Sabine Timoteo
as
Schroeter
Richard Thorpe
Director
Nestor Paiva
as
Egisto Barretto
Peter Brocco
as
Father Bronzetti
Charles Evans
as
Finch - Benjamin's Butler
Ian Wolfe
as
Hutchins
Robert Altman
Director
Bridget Fonda
as
Lover
Bernie Bonvoisin
as
(segment "Les Boréades") (uncredited)
John Hurt
as
The Actor
Tilda Swinton
as
Young Girl
Otto Preminger
Director
Carmen De Lavallade
as
Dance Soloist
Bernie Hamilton
as
Reporter
DeForest Covan
as
Trainer
Antonio Pappano
as
Self - Conductor
Vincent Price
as
Charles Winthrop
Joan Fontaine
as
Kendall Hale
Lynn Bari
as
Opera Attendee
Martin Garralaga
as
Romero
Gary Lewis
as
Hugh Skinner
as
Max
Joanna Lumley
as
Meghan Geoffrey-Bishop
Vicki Pepperdine
as
Patricia
André Rieu
as
Self - Host, Conductor and Violinist
Susanna Foster
as
Angela Klatt
Thomas Gomez
as
Count Seebruck
Anne Cornwall
as
Undetermined Role
Paul Plishka
as
Pimène
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