The Moderns
Nick Hart is a struggling American artist who lives amongst the expatriate community in 1920s Paris. He spends most of his time drinking and socializing in local café's and pestering gallery owner Libby Valentin to sell his paintings. He becomes involved in a plot by wealthy art patroness Nathalie de Ville to forge three paintings. This leads to several run-ins with American rubber magnate Bertram Stone, who happens to be married to Hart's ex-wife Rachel.
The City Without Jews
In the Republic of Utopia, because of the bad economic crisis ailing the nation, the Jews are made the scapegoats for the economic and social ills affecting the population; therefore, the government decides to expel them. Leo Strakosch is among the exiled. He is engaged to Counsellor's Linder's daughter. He gets into the Republic, in a clandestine way, to show to the society the wrongness of their anti-semitic prejudice. Bettauer's novel differs essentially from the film version. "Vienna" was named "Utopia." Even a happy ending was provided.
Algol: Tragedy of Power
An alien from the planet Algol gives a man a device that creates enough energy to power the entire world.
The Pied Piper
A darkly brilliant stop-motion adaptation of The Pied Piper of Hamelin about a plague of rats that punish townsfolk corrupt with greed. One of Czechoslovakia's most ambitious animation projects of the 1980s, notable for its unusual dark art direction, innovative animation techniques and use of a fictitious language.
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Alan Rudolph
Director
Keith Carradine
as
Nick Hart
Wallace Shawn
as
Oiseau
Linda Fiorentino
as
Rachel Stone
Timothy Webber
as
Stone's Business Associate
John Gottowt
as
Algol
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