Biggie & Tupac
In 1997, rap superstars Tupac Shakur and Christopher Wallace (aka Biggie Smalls, The Notorious B.I.G.) were gunned down in separate incidents, the apparent victims of hip hop's infamous east-west rivalry. Nick Broomfield's film introduces Russell Poole, an ex-cop with damning evidence that suggests the LAPD deliberately fumbled the case to conceal connections between the police, LA gangs and Death Row Records, the label run by feared rap mogul Marion "Suge" Knight.
Empire of Dreams
From the earliest versions of the script to the blockbuster debuts, explore the creation of the Star Wars Trilogy.
Until the Light Takes Us
Chronicles the history, ideology and aesthetic of Norwegian black metal, a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first film to truly shed light on a movement that has heretofore been shrouded by rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews with the musicians themselves, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world.
Fanatical: The Catfishing of Tegan and Sara
Tegan Quin (from Tegan and Sara) has been the victim of identity theft and an ongoing catfishing scam for over 15 years. While investigating, she shares for the first time, how she was ensnared in toxic fan culture that revealed the dark side of fame.
Made in England: The Films of Powell and Pressburger
Martin Scorsese presents this very personal and insightful new feature-length documentary about British filmmakers Michael Powell and Emeric Pressburger.
Kim's Video
Since 1987, and for almost three decades, New York cinephiles had access to a vast treasure trove of rare films thanks to Kim's Video, a small empire run by Yongman Kim, an enigmatic character who amassed more than fifty thousand VHS tapes.
Still: A Michael J. Fox Movie
A short kid from a Canadian army base becomes the international pop culture darling of the 1980s—only to find the course of his life altered by a stunning diagnosis. What happens when an incurable optimist confronts an incurable disease?
Dear Kelly
Filmmaker Andrew Callaghan investigates the life of Kelly Johnson, a participant at a 2021 White Lives Matter rally in Huntington Beach, California, delving into Johnson's background and beliefs.
All the Beauty and the Bloodshed
The life of internationally renowned artist and activist Nan Goldin is told through her slideshows, intimate interviews, ground-breaking photography, and rare footage of her personal fight to hold the Sackler family accountable for the overdose crisis.
Frank Capra: Mr America
Tells the story of how Frank Capra, a young and penniless immigrant, rose through the ranks of early Hollywood to become one of the Great American storytellers.
George A. Romero's Resident Evil
A documentary that brings to light the vision that director George A. Romero had for an adaptation of Resident Evil, using newly filmed interviews with those who were there, and unravels the secrets behind why it was never produced.
Don't Fall in Love with Yourself
A documentary about the life and music of Justin Pearson. An enigmatic underground musician and owner of Three One G records.
Jaws @ 50: The Definitive Inside Story
The authorized documentary celebrating the film that redefined Hollywood, 50 years after its premiere. Featuring rare archival footage and interviews with acclaimed Hollywood directors alongside Steven Spielberg, top shark scientists, and conservationists, the film uncovers the behind-the-scenes chaos and how the film launched the summer blockbuster, inspired a new wave of filmmakers, and paved the way for shark conservation that continues today.
What She Said: The Art of Pauline Kael
Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.
×