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    The Armstrong Lie 2013 POSTER

    The Armstrong Lie

    2013

    English

    7.2

    11

    82%

    76%

    Action

    behind the scenes

    bicycle

    Biography

    Documentary

    doping

    interview

    lie

    outcast

    Sport

    Alex Gibney Alex Gibney Director Lance Armstrong Lance Armstrong as Himself Jon Stewart Jon Stewart as Himself / Interviewer Anderson Cooper Anderson Cooper as Himself / Interviewer Alex Gibney Alex Gibney as Himself / narrator
    In 2009, Alex Gibney was hired to make a film about Lance Armstrong’s comeback to cycling. The project was shelved when the doping scandal erupted, and re-opened after Armstrong’s confession. The Armstrong Lie picks up in 2013 and presents a riveting, insider's view of the unraveling of one of the most extraordinary stories in the history of sports. As Lance Armstrong says himself, “I didn’t live a lot of lies, but I lived one big one.”
    Love Meetings 1964 POSTER

    Love Meetings

    1964

    Italian

    7.5

    8

    81%

    81%

    Action

    brothel

    culture clash

    Documentary

    economic miracle

    italian

    moral conflict

    sexism

    Pier Paolo Pasolini Pier Paolo Pasolini Director Graziella Chiarcossi Graziella Chiarcossi as Graziella the Bride Pier Paolo Pasolini Pier Paolo Pasolini as Himself / Interviewer Oriana Fallaci Oriana Fallaci as Self Graziella Granata Graziella Granata as Self - Girl at Lido with Long Hair
    Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.
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