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    Pier Paolo Pasolini

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    Pier Paolo Pasolini

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    The Decameron 1971 POSTER

    The Decameron

    1971

    Italian

    7.0

    26

    Action

    anthology

    based on novel or book

    church

    Comedy

    Drama

    eroticism

    History

    nun

    Romance

    sexuality

    Pier Paolo Pasolini Pier Paolo Pasolini Director Vittorio Fanfoni Vittorio Fanfoni as Pier Paolo Pasolini Pier Paolo Pasolini as Allievo di Giotto Giani Esposito Giani Esposito as (as Giovanni Esposito) Monique van Vooren Monique van Vooren as Queen of Skulls
    A young Sicilian is swindled twice, but ends up rich; a man poses as a deaf-mute in a convent of curious nuns; a woman must hide her lover when her husband comes home early; a scoundrel fools a priest on his deathbed; three brothers take revenge on their sister's lover; a young girl sleeps on the roof to meet her boyfriend at night; a group of painters wait for inspiration; a crafty priest attempts to seduce his friend's wife; and two friends make a pact to find out what happens after death.
    Love Meetings 1964 POSTER

    Love Meetings

    1964

    Italian

    7.5

    8

    81%

    81%

    Action

    brothel

    culture clash

    Documentary

    economic miracle

    italian

    moral conflict

    sexism

    Pier Paolo Pasolini Pier Paolo Pasolini Director Graziella Chiarcossi Graziella Chiarcossi as Graziella the Bride Pier Paolo Pasolini Pier Paolo Pasolini as Himself / Interviewer Oriana Fallaci Oriana Fallaci as Self Graziella Granata Graziella Granata as Self - Girl at Lido with Long Hair
    Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.
    Oedipus Rex 1967 POSTER

    Oedipus Rex

    1967

    Italian

    7.2

    15

    89%

    77%

    Action

    Drama

    Pier Paolo Pasolini Pier Paolo Pasolini Director Carmelo Bene Carmelo Bene as Creonte Pier Paolo Pasolini Pier Paolo Pasolini as High Priest Alida Valli Alida Valli as Merope Julian Beck Julian Beck as Tiresia
    In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is rescued, given the name Oedipus, and brought up by the King and Queen of Corinth as their son. One day an oracle informs Oedipus that he is destined to kill his father and marry his mother. Horrified, he flees Corinth and his supposed parents - only to get into a fight and kill an older man on the road…
    Notes Towards an African Orestes 1970 POSTER

    Notes Towards an African Orestes

    1970

    Italian

    6.6

    6

    Documentary

    Pier Paolo Pasolini Pier Paolo Pasolini Director Pier Paolo Pasolini Pier Paolo Pasolini as Self Donald F. Moye Donald F. Moye as Self - Musican: drums Gato Barbieri Gato Barbieri as Self - Musician: saxophone Archie Savage Archie Savage as Self - Singer
    The director presents takes and scenes filmed on location in Africa for a film-that-never-was, a black Oresteia.
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