Let Her Out
Twenty-three years after her hooker mother tried to kill her in the womb Helen remains damaged psychological goods. A mindset that gets worse when she suffers a traumatic head injury in an accident. Awakening in hospital, it’s discovered Helen has a tumour growth in her brain causing her to experience dark visions, disembodied voices and the omnipresence of a strange young woman. Soon, lost in a walking nightmare, in which nothing is what it seems, and her vicious actions barely remembered, it becomes crystal clear that whatever is inside her cracked psyche will stop at nothing to get out.
Café Daughter
In a small Saskatchewan town in the 1960s, Yvette Wong, a young girl of Chinese and Cree heritage, struggles with her Indigenous identity amidst family tragedy in this coming-of-age film directed by Mohawk artist and filmmaker Shelley Niro. Yvette’s mother, Katherine, discourages her from embracing her Cree identity, so she explores it in secret. As she learns more about herself and her Indigenous heritage, Yvette finds a friend in Maggie Wolf, who embraces being part Mi’kmaq and encourages Yvette to be proud of being Cree. When her classmates learn about her Cree ancestry, Yvette encounters the realities of being Indigenous, facing prejudice with pride and holding fast to her dream of becoming a doctor. Café Daughter is inspired by true events and based on Kenneth T. Williams’ play of the same name.
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