Monamour
A housewife dissatisfied with her marriage seeks an affair during a book fair, following a friend's advice. The experience brings unexpected revelations about her relationship.
Paprika
Mimma starts working in Madame Colette’s brothel to help her boyfriend financially. There she is rechristened “Paprika,” and falls in love with her first client, naval officer Franco. Despite this attraction, she begins her climb through the sex trade, residing in Italy’s most illustrious brothels.
Inferno Rosso: Joe D'Amato on the Road of Excess
Who was Joe D'Amato aka. Aristide Massaccesi? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.
Cheeky
While scouting out apartments in London for her Venetian boyfriend, Carla rents an apartment overlooking the Thames. There, she meets a real estate agent by the name of Moira.
Frivolous Lola
In 1950s northern Italy, a woman tests her fiancé's love and passion by trying to break his commitment to premarital chastity.
×