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    Adolfo Marsillach

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    The Black Tulip 1964 POSTER

    The Black Tulip

    1964

    French

    6.6

    47%

    47%

    Action

    Adventure

    Comedy

    fencing

    france

    mask

    robber

    sword

    twin brother

    Christian-Jaque Christian-Jaque Director Adolfo Marsillach Adolfo Marsillach as Baron La Mouche Virna Lisi Virna Lisi as Caroline 'Caro' Plantin Alain Delon Alain Delon as Julien de Saint Preux / Guillaume de Saint Preux Dawn Addams Dawn Addams as La marquise Catherine de Vigogne
    Aristocrat Guillaume de Saint Preux leads a double life as a masked bandit known as the Black Tulip. The Black Tulip only robs rich aristocrats, so the local peasants regard him as a hero. Baron La Mouche is convinced Guillaume is the Tulip. During a robbery, he scars the Tulip's face, and hopes to use this to expose Guillaume, but Guillaume is one step ahead.
    Double Feature 1984 POSTER

    Double Feature

    1984

    Spanish

    5.9

    1

    Drama

    José Luis Garci José Luis Garci Director Diana Salcedo Diana Salcedo as Rafael Hernández Rafael Hernández as Empleado de producciones Balboa Films Adolfo Marsillach Adolfo Marsillach as José Manuel Varela Emma Suárez Emma Suárez as Sonia
    Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.
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