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    Tea With the Dames 2018 POSTER

    Tea With the Dames

    2018

    English

    7.4

    3

    conversation

    Documentary

    documentary filmmaking

    female friendship

    octogenarian

    photographer

    photography

    Roger Michell Roger Michell Director Robert Altman Robert Altman as Self Maggie Smith Maggie Smith as Self Judi Dench Judi Dench as Self Rory Kinnear Rory Kinnear as Tanner
    BBC Arena's documentary on the Dames of British Theatre and film featuring Maggie Smith, Eileen Atkins, Judi Dench and Joan Plowright on screen together for the first time as they reminisce over a long summer weekend in a house Joan once shared with Sir Laurence Olivier.
    What Is Cinema? 2013 POSTER

    What Is Cinema?

    2013

    English

    6.2

    5

    Documentary

    History

    Chuck Workman Chuck Workman Director Alfred Hitchcock Alfred Hitchcock as Self James Franco James Franco as Self Robert Altman Robert Altman as Self Akira Kurosawa Akira Kurosawa as Self
    Using the words and ideas of great filmmakers, from archival interviews with Alfred Hitchcock and Robert Bresson to new interviews with Mike Leigh, David Lynch, and Jonas Mekas, Oscar-winning filmmaker Chuck Workman shows what these filmmakers and others do that can't be expressed in words - but only in cinema.
    What She Said: The Art of Pauline Kael 2018 POSTER

    What She Said: The Art of Pauline Kael

    2018

    English

    6.9

    3

    88%

    52%

    Action

    Biography

    Documentary

    Rob Garver Rob Garver Director Quentin Tarantino Quentin Tarantino as Self Paul Schrader Paul Schrader as Self Sam Peckinpah Sam Peckinpah as Self - Filmmaker Robert Altman Robert Altman as Self - Filmmaker
    Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.
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